Skip to Main Content »

You're currently on:

Search Site
 
Click on image above to zoom.

Bakongo Female Mother Holding Child African Art Miniature

Regular Price: $99.00

Special Price: $59.00

Product #: 106478
US Shipping: $19.98
Add Items to Cart


Title Bakongo Female Mother Holding Child African Art Miniature
Type of Object Figure, Statue, Sculpture, Maternity
Country of Origin Democractic Republic of Congo
People Bakongo (Kongo)
Materials Wood, pigment
Approximate Age 20th Century
Dimensions Height: 11.75 Inches
Width: 3.5 Inches
Depth: 3 Inches
Overall Condition Good. Most of our pieces have spent decades on at least two continents, and have been treasured by several owners.   Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use.  We examine each piece carefully when we receive it and report any damage we find in our listings.  Please look carefully at the pictures which may also reveal condition and damage.
Damage/Repair Cracks, chipped foot, old bug damage and general wear


Additional Information:   Figures among the Kongo fall generally into a number of identifiable categories whose interpretation can vary and cross over as to function and meaning. Among the various Kongo groups sculpted figures represent elites and royals with a large number serving as power figures that would have magical materials attached. Sometimes, they would be covered with the familiar metal objects beaten into their surfaces which led to their being identified as ‘nail fetishes’. These figures known as nkisi serve magical ends control and direct ambivalent spirits.  Other Kongo figures serve to represent ancestors or will function as shrine objects where offerings and prayers are offered to the spirits.


 In fact the practitioner, priest or diviner known as an nganga would fill the cavity in the belly with magical substances and would cover them with a mirror. Sometimes, pieces of glass are also encrusted in the eyes. These mirrors have the same meaning than the white pigment around the eyes. Their role is to accentuate the sense of mystery surrounded this kind of Nkisi and to confirm its ability to see the future, as the nganga use the white pigment , as well as  the mirror as a device and a metaphor for the power of "being able to read the invisible". 


 


Recommended Reading: J. Cornet; Art of Africa, Treasures from the Congo. 1971. E. M. Maurer and Niangi, B.: Spirits Embodied: Art of the Congo. 1999.Art of the Congo, Walker Art Center.