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Senufo Rhythm Pounder "Pombibele" Figure Ivory Coast Africa 3 Feet

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Senufo Rhythm Pounder "Pombibele" Figure Ivory Coast Africa 3 Feet

$490.00
Product #: 47532
US Shipping: $75.00
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Type of Object Carved sculpture
Country of Origin Cote D'Ivoire (Ivory Coast), Mali
People Senufo
Materials Wood, pigment
Approximate Age mid 20th Century
Dimensions 33.5 inches
Overall Condition Good. Most of our pieces have spent decades on at least two continents, and have been treasured by several owners.   Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use.  We examine each piece carefully when we receive it and report any damage we find in our listings.  Please look carefully at the pictures which may also reveal condition and damage.
Damage/Repair Shallow cracks and chips in places, eye chipped


Senufo Rhythm Pounder "Pombibele" Figure African

Additional Information:  A well-carved example of Senufo carving depicting a male figure tanding on a cylindrical base. Figures such as this are rhythm-ponders, or "pombibele," a form unique, even ubiquitous, to the Senufo. The so-called "rhythm pounders" are used at the funerals of important members of the "Poro" Society, a powerful regulatory force throughout much of coastal West Africa. Though these Pombibele are associated with loud booming noises when groups of them are struck on the hard ground, many of them are actually carried, and not used to make sounds at all.

The Senufo are the dominant culture in Cote d'Ivoire and across the border into Mali. The Senufo carve numerous male and female figures in a variety of positions. They also produce many remarkable masks. Most adhere rather strictly to a known set of proportions, but some can be quite abstract. It is thought that many Senufo artworks are produced by "professional" carvers known to the village, and this accounts for the rather standardized "look" found in the majority of their figural objects.

Recommended Reading: Kerchache's ART OF AFRICA

I have examined this piece and agree with the description.

Niangi Batulukisi, Ph.D.