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Tabwa Marionette Female Moving Arms Congo African 25 Inch

Regular Price: $235.00

Special Price: $185.00

Product #: 110780
US Shipping: $39.98
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Title Tabwa Marionette Female Moving Arms Congo African 25 Inch
Type of Object figurine
Country of Origin Democratic Republic of Congo
People Tabwa
Materials Wood, pigment
Approximate Age 20th century 20th century
Dimensions Height: 255 Inches
Width: 6.5 Inches
Depth: 4.5 Inches
Overall Condition Good.   Most of our pieces have spent decades on at least two continents, and have been treasured by several owners.   Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use.  We examine each piece carefully when we receive it and report any damage we find in our listings.  Please look carefully at the pictures which may also reveal condition and damage.air. Most of our pieces have spent decades on at least two continents, and have been treasured by several owners.   Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use.  We examine each piece carefully when we receive it and report any damage we find in our listings.  Please look carefully at the pictures which may also reveal condition and damage.
Damage/Repair cracks, small cavities in wood surface. scraped pigment. wobbles, but stands


Provenance:

 


From the collection of Howard Gelb, St. Paul, MN collector of African Art, who was also a businessman, lawyer, and philanthropist. Mr. Gelb died in 2015, at the age of 96.

Additional Information: A charming Tabwa female with swinging arms.  Her arms are hanging straight at her side.   She stands on her own base original to the carving.  


Tabwa figural sculptures represent ancestors who were to assist in daily activities and during the hunt. Tabwa art is both a symbol and an esthetic statement as the figures are often elaborately scarified in a fashion known among them until the middle of the twentieth century. The distinctive facial scarification consisting of a number of lines along the sides of the face and along the forehead and abdomen were the means whereby Tabwa identified themselves to localities and social status. They are also a high form of body art or ornamentation. Elaborate and attractive patterns and designs were worked into the skin according to the Tabwa concept of kulemba that reflect aesthetics, social membership and the abstract idea of order upon the chaos of nature. It demonstrates that a person becomes a complete adult when they are properly inscribed with the appropriate scars. These patterns and designs are collectively known as vindala and will represent one s advancement through life and within Tabwa society. Distinctive hairstyles among Tabwa men reflect status or membership in a hunter's cult known as buyange , that required great efforts to braid, tie and decorate. 


The Tabwa number more than 200,000. Tabwa art has only recently come to be identified as a separate style often confused with the sculpture of their neighbors or others who took Tabwa identity. Chiefs were not powerful and local lineage heads exercised much authority. It was the lineage heads who kept small figures representing honored ancestors known as Mipasi on small shrines that they controlled.