Skip to Main Content »

You're currently on:

Search Site
 
Click on image above to zoom.

Yaure Mask Beard with Serrated Edges Cote D'Ivoire African Art

Regular Price: $450.00

Special Price: $295.00

Product #: 95780
US Shipping: $24.98
Add Items to Cart


Title Yaure Mask Beard with Serrated Edges Cote D'Ivoire Africa
Type of Object Face mask
Country of Origin Cote D'Ivoire
People Yaure
Materials Wood, encrustation
Approximate Age Second half twentieth century
Dimensions 14.75 inches H. x 8.5 inches W. x 7 inches D.
Overall Condition Good. Most of our pieces have spent decades on at least two continents, and have been treasured by several owners.   Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use.  We examine each piece carefully when we receive it and report any damage we find in our listings.  Please look carefully at the pictures which may also reveal condition and damage.
Damage/Repair Chips, cracks, and general wear.


Additional Information: This mask has a much elaborated coiffure typical of the Baule, Yaure, and  styles.  Elements such the  heart-shape face, elaborate scarification in relief, almond shaped eyes, and serene faces are also common to these three ethnic groups. But this example is more likely from the Yaure because of its  beard with serrated edges surrounding the lower border of the face.


The Yaure are a smallish Akan culture, closely related to the Baule and Guro. Their masks, like the one offered here, are similar in style to those of both groups, but usually have a few defining elements to aid in their identification. The Yaure used two types of masks, those that were black and those that were brightly painted. The darker ones were used in funeral processions, and are highly-prized by collectors for their stark beauty. Known as "lo" masks, their purpose was to appease supernatural powers known as "yu." The "yu," though vital for life, could also destroy, so veneration was important to ease the understandable social and spiritual tension present after the death of an elder. Masks could not be seen by women, and were treated with caution even by the men who danced them. The ritual significance of masks in the Ivory Coast has been diminished by Western influence and civil unrest, but are still used for special occasions.


Recommended Reading:



S. M. Vogel: Beauty in the Eyes of the Baule: Aesthetics and Cultural Values, Institute for the Study of Human Issues, Working Paper 6
(Philadelphia, 1980)

S. M. Vogel, Baule, African Art, Western Eyes. 1997