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Yoruba Pair of Ibeji Twin Dolls Published Museum Exhibit African

Regular Price: $1,200.00

Special Price: $390.00

Product #: 66990
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Title Yoruba Pair of Ibeji Twin Dolls Published Museum Exhibit African
Type of Object Twin Figures
People Yoruba, Oyo or Oshogbo region
Materials wood, pigment (indigo, camwood powder)
Approximate Age mid 20th century
Dimensions 11 inches-12 inches H.
Overall Condition Most ofour pieces have spent decades on at least two continents, and have been treasured by several owners. Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use. We examine each piece carefully when we receive it and report any damage we find in our listings. Please look carefully at the pictures which may also reveal condition and damage.
Damage/Repair small age cracks, indigo pigment fragile, crack on back proper right side hair, large crack on back center base


From the personal Collection of Elizabeth Bennett-Sara F. Luther.
Exhibited at the South Dakota Art Museum
Published in: Daniel Mato, PhD., Chelsea Cooksey, YORUBA: AN ART OF LIFE. The Bennett-Luther Collection Africa Direct, Denver, Colorado, 2004, fig. 15, p. 30

Additional Information: A fine pair of ibejis, with remnants of blue pigments on heads and slightly shiny patina. Among the Yoruba, who have the highest rate of twins in the world, the arrival of twins is seen as both a blessing and an omen because of the high mortality rate. If a twin died, an image dedicated to Ibeji, the deity of twins, is carved to serve as the earthly abode for the spirit of the deceased. Twins have special powers, much like the orisha. and are to be treated with respect throughout their lives. If a twin dies, the mother seeks a diviner's advice about which carver should make the ere ibeji to stand in for the dead child. Once the figure is carved, the artist activates it by soaking it in a special solution and rubbing it with specific oils. The mother treats the ere ibeji as if it were alive, feeding, dressing, and bathing the image. Its face is washed with soap or sugarcane fiber, then rubbed with a cloth and indigo or laundry bluing. After a period of time, the facial features may be rubbed away.(ISN'T S/HE A DOLL -PLAY AND RITUAL IN AFRICAN SCULPTURE/Cameron)

I have examined this piece and agree with the description.
Niangi Batulukisi, PhD.