Africa Direct
Africa Direct

Bamun Helmet Mask Cameroon African Art

AvailabilityIn stock
SKU
134653
Special Price $210.00 Regular Price $390.00
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$59.98
More Information
Title Bamun Helmet Mask Cameroon African Art
Type of Object Mask / headpiece
Country of Origin Cameroon
People Bamileke, Bamun
Materials Wood, pigment, metal
Approximate Age 20th century
Height (in) 19
Width (in) 10
Depth (in) 10
Dimensions 40 Inch height on stand
Overall Condition Good. Most of our pieces have spent decades on at least two continents, and have been treasured by several owners.   Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use.  We examine each piece carefully when we receive it and report any damage we find in our listings.  Please look carefully at the pictures which may also reveal condition and damage.
Damage/Repair Repair to some beads. some beads heavily worn; large chips, discoloration, pitting, decoration loss

Additional Information: The art of the grasslands area of Cameroon is a royal art, devoted to the veneration of ancestors and the enrichment of the Fon, or main chief. The Cameroon Grasslands is a large and extremely diverse cultural area, inhabited by a large number of related peoples. The main groups are the Bamilike, Bamum, and Bamenda Tikar. The Bamileke are one of the artistically elite groups of the Cameroon Grasslands, along with the Bamun and the Bamenda Tikar. These groups produce an array of beautiful and unique objects, which are used almost exclusively by the royal courts of the regional Fon. There are also numerous, still-smaller groups, which are loosely affiliated with one another and share many historical and political similarities. All of these groups originally came from an area to the north, scattering in complex patterns during the last several centuries. Fulani traders moving steadily southwards into Cameroon during the 17th century forced the southern movement of most of the current residents. The dense forests, though now disappearing, and the scattered nature of the many tiny villages, have made the study of this area a daunting task for ethnologists, and has prevented the development of a "school of thought" concerning their artistic output.