Africa Direct
Africa Direct

Songye Kifwebe Mask Round Congo African Art Collection

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SKU
129592
Special Price $189.00 Regular Price $310.00
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$32.98
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Title Songye Kifwebe Mask Round Congo African Art Collection
Type of Object Mask
Country of Origin Democratic Republic of Congo
People Songye
Materials Wood, pigment
Approximate Age Mid 20th Century
Height (in) 12
Width (in) 12
Depth (in) 7
Dimensions Height: 12 Inches
Width: 12 Inches
Depth: 7 Inches
Overall Condition Good. Most of our pieces have spent decades on at least two continents, and have been treasured by several owners.   Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use.  We examine each piece carefully when we receive it and report any damage we find in our listings.  Please look carefully at the pictures which may also reveal condition and damage.
Damage/Repair Repair to top edge

Additional Information:

According to Hersak (1985: 168), "the striated masks, or kifwebe, are used as agents of a tradition and figures of authority to exercise social and political control through practices of evil magic and witchcraft by the members of the bwadi bwa kifwebe society. Among the societies public performances, three mask types exist: two grades of male and one female mask. Male masks are distinguished by a striated pattern of three colors while the female one is predominantly white with the features accented in black and some red... The Kifwebe tradition which exists also among the Luba, seems to have originated south of the eastern chiefdom in an area of Luba/Songe admixture. The Songye confirm this provenance by the interpretation that the kifwebe striations relate (apart from the zebra) to a pugnacious species of striped bushbuck antelope which inhabited the area."

Recommended Reading:

Cornet, J., A Survey of Zairian Art, North Carolina Museum of Art, 1978

Dunja Hersak,Songye Masks and sculpture figures, 1985

From the Collection of Robert Pearson, Denver, Colorado

Bob Pearson began collecting African art later in his life. He was a n engineer, inveterate climber, and long-time collector of books and paintings. Spurred by the Douglas Society at the Denver Museum of Art, and his friendship with noted collector George Heggarty, he began building an enormous, eclectic collection. His African art library grew to several hundred books. He loved textiles and “material culture”-things which had domestic use, like spoons, cups, stools, and chairs, as well as masks and carvings. His collection included items from more than thirty African countries, and his fine eye gave him pieces ranging from a golddust scale to huge Dogon figural ladders. Africa Direct is honored to have been chosen to sell them.